or
by Tim Kelly
An Astonishing Theatrical Event
Illustrating In Words and Action
The Evil of Greed and the Triumph of True Love
Featuring:
Madness, Treachery and all New Scenery
Take Heed:
This Divertissement is Devoid of Social
Value in Most States of the Union
| Directed by |
|---|
| Rev. Norman L Johnson |
The Face on the Barroom Floor was performed in 1990.
| Annie Quackenbush | Amy Turk | Runs the Old Teller House, but she doesn't run far enough |
| Sweet Madelaine Mockingbird | Ambery Christy | Our lovely heroine, anxious to get on with her career |
| Chick Dogtemper | Robert Alfano | A miner - his thirst for whiskey is staggering |
| Herbie Rainwater | Brian Burke | Another miner - He has a stupid grin on his face because he's stupid |
| Dusty Rhodes | Michael Costello | Stagecoach Driver - Been in the snow so long they ought to call him Drifty, not Dusty |
| Mrs. Van Cleve | Dani Christy | The "high society" element |
| Little Gloria | Carrie Grimes | Her daughter, also known as "the brat" |
| Jack "Toulouse" Goodhart | Scott Fleming | Our hero - Doesn't carry a six-shooter. He carries a paint-brush, and is frequently brushed off. |
| Bella Yukon | Jessica Toth | She'd have a card up her sleeve if she were wearing one. |
| Fatima | Karin Zierold | Waiting for her camel to come in |
| Roderick Rodent | David Johnson | A low-down, no good, rotten human being - but charming when he wants to be. Watch out for him! |
| Judge Fleesum | Keith Fleming | If you don't know a good lawyer, it's a good idea to know the judge |
| Strange Lady | Jennifer Borkowski | Where there's a will, there's a widow |
| Theda Swansong | Bethanne Krawiec | Reaching for a high note, she stumbled |
| Stage Manager | Adam Toth | Trying to keep this organized is like working in the monkey cage at a zoo |
| Piano Player | ???? | Some guy who needed his head examined for doing this to begin with. |
| Time: | The late 1880's | |
|---|---|---|
| Place: | Act 1: | The "Old Teller House", Central City, Colorado |
| Act 2: | The "New Teller House" - Denver, Colorado | |
Act 1 |
Scene 1: | Winter - "From out of the storm appears -- a Wretch" |
| Scene 2: | Later - "This is no page torn from the Arabian Nights" | |
Act 2 |
Scene 1: | One year later - "A Fatima never forgets" |
| Scene 2: | That evening - "Madelaine's Melody goes sour" | |
| Scene 3: | Back where we started in Act 1, Scene 1 - "With a dreadful shriek he leaped and fell across the picture - Dead" |